Nashvillecitypaper.com -
February 2006
Title:
Texas quintet's music merges '70s,
contemporary elements
By Ron Wynn,
rwynn@nashvillecitypaper.com
February 14, 2006
It would be easy to assume that the members of the Texas quintet Pilotdrift,
currently on tour as the opening act for Supergrass and appearing Wednesday
night at City Hall, are devoted followers of '60s and '70s music,
particularly groups like The Who and Pink Floyd. But lead vocalist Kelly
Carr cites many other, more unusual influences, among them soundtracks and
jazz as well as rock.
What: Pilotdrift opening for Supergrass
When: 8 p.m. Wednesday
Where: City Hall, 405 12th Ave. S.
Cost: $15 in advance, $17 at the door
Info: 963-9998
"People hear what we're doing and tend to think that we are big fans of
art-rock, but that's really not the case," Carr said. "We're trying more to
create musical story songs that have the same type of dramatic elements and
flourishes as the best soundtracks, or compositions with layers and
movements. To be perfectly honest, I've never spent a lot time listening to
many of the people that are associated with that sound, though I have a lot
of respect for it. But it's not that connected with what we're doing
musically."
Yet the band's debut release, Water Sphere, does evoke some memories of
intricately conceived, adeptly executed works from that period. The
10-minute "Jekyll and Hyde Suite," for instance, blends increasingly bright
orchestration with both swirling rhythms and energetic vocals, while "Rings
of Symbols" has underlying Asian musical references mixed in with surging
rock beats. "Elephant Island," a song constructed around recounting the tale
of Shackleton's Antarctic expedition, is both vividly performed and
elaborately constructed, while "Bubblecraft" walks the fine line between
outside jazz experimentation and rock/pop expression.
A close-knit unit with several members that are lifelong friends, that unity
is reflected in the smooth execution of complex musical passages and
structures in several Pilotdrift songs. But the songs aren't so dense or
edgy that they're too esoteric. Bassist Jay Budzilowski and drummer Ben Rice
keep a tight rein on the bottom end, while guitarists Eric Russell and John
David Blagg complement, interact with and occasionally counter Carr's rich,
teeming vocals.
While often quite different from basic three-chord rock works or simple love
songs, Pilotdrift's pieces still contain enough familiar riffs, appealing
melodies, and catchy hooks and lines to attract fans with only a passing
knowledge of Queen or King Crimson.
Although their compositional acumen and thematic variety can be impressive,
the group's live skills helped land them their current deal with Good
Records Recordings.
"We had a lot of appearances at the Good Records Store in Dallas," Carr
recalled. "Tim DeLaughter and Julie Doyle (store and label owners and also
members of the Polyphonic Spree) became big fans of ours and also sold a lot
of copies of our self-released CD. That really helped get us some
recognition outside of Texarkana, and they've continued the support with
Good Records."